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孤岛巨蟒
2026 3.0分 科幻片
程汁 唐慧  /
<p>游船遇风暴沉没,陆霆、女友陈清、李娜、陈清闺蜜马樱漂至荒岛。众人遭巨蟒袭击,得探险者遗物求生。马樱因妒生事,后联合落难驾驶员王强,王强却被巨蟒吞噬,马樱悔悟坦白。巨蟒擄走陈清,众人设伏,马樱与巨蟒同归于尽。数月后,陆霆、李娜乘直升机获救。</p>
HD国语
极限审判
2026 3.0分 科幻片
<p>&nbsp;警探雷文(克里斯·帕拉特 饰)突遭指控,陷入杀妻疑云,被推上由AI判官裁决的审判席。90分钟倒计时启动,他必须借助AI“天眼”系统,在海量数据中寻找翻盘证据,推翻指向自己的致命结论,否则将被当庭处死。然而,调查越深入,嫌疑人越多,数据却不断自我验证、层层锁死真相。当算法 构成无法破解的死局,人类还能否挣脱系统的最终裁决?</p>
TC中字
寂静星球
2024 9.0分 科幻片
<p>  The film follows two prisoners in the near future who are sentenced to a lifetime of hard labor on a distant planet. As things unravel, they become increasingly paranoid and start to lose ..
HD中字
末日逃生2:迁移
2026 9.0分 科幻片
<p>  由于宇宙中的两颗彗星正面撞击了地球,致使地表生态遭遇毁灭性打击,造成恶劣后果。全人类不得不躲藏在地堡中求得生存。身为科学家的加里蒂带着一家人劫后余生,幸存了下来。虽然他们躲过了第一波的冲击,但是他们所在的地堡中剩余的生活物资逐渐减少,其他幸存的人类也开始蠢蠢欲动。迫于压力这一家人必须离开格陵兰岛的安全掩体,开始踏上危险的旅程。在这一路上他们无奈的发现,整个欧洲已经被毁灭,变..
HDTC中字
阿凡达:火与烬
2025 3.0分 科幻片
<p>  影片聚焦杰克·萨利与奈蒂莉一家的命运起伏,在前作的情感余波之上,深刻描绘一个家族在战火中如何成长、并共同守护血脉相连的情感纽带的历程,从而将故事推向更具张力的全新维度。此外,潘多拉的全新领域也即将揭晓——观众将首次邂逅“风之商人”这个崇尚和平的全新游牧民族,他们乘坐独特的浮空生物飞船穿梭于各部落间,交易货物、传递信息。<br/>  而更具颠覆性的是“灰烬族”的登..
HDTC中字
狂野时代
2025 7.0分 科幻片
<p>  影片讲述“迷魂者”(易烊千玺 饰)通过体验视觉、听觉、味觉、嗅觉、触觉五感,跨越一个世纪的故事。而“大她者”(舒淇 饰)则好似是打开“迷魂者”故事的钥匙......</p>
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《等待方舟》剧情介绍

星辰影院提供影视作品等待方舟高清全集在线观看的影视全集网,科幻片《等待方舟》全集作品的导演是皮奥特尔·舒尔金   ,由耶日·斯图尔  克里斯提娜·杨达  卡里娜·谢鲁斯克  马里乌什·德莫霍夫斯基  马雷克·瓦尔切夫斯基  扬·诺维茨基  亨里克·比斯塔  莱昂·涅姆奇克  克兹佐夫·马扎克  斯坦尼斯瓦夫·伊加尔  主演,等待方舟在豆瓣的评分为4.0,本片由小编于2026-01-30 01:30更新,希望大家喜欢,可以把《等待方舟》推荐给你朋友,本作品的地址为 https://www.44i8.com/44/51343.html

《等待方舟》简介:  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80&#39;s depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you&#39;re getting there. See it if you can find it.

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